#Dave gahan paper monsters 2cd professional#

Release history Release history for Paper Monsters Region * Sales figures based on certification alone. Year-end charts Year-end chart performance for Paper Monsters Chart (2003)Ĭertifications and sales Certifications and sales for Paper Monsters Region Weekly charts Weekly chart performance for Paper Monsters Chart (2003)įinnish Albums ( Suomen virallinen lista) Anton Corbijn – photography, art direction.Jolyon Thomas – tambourine, tom (track 6).Antoine Silverman, Maxim Moston, Joan Wasser – violins (tracks 3, 5).Victor Indrizzo – drums (tracks 3, 5, 9).Knox Chandler – guitars, dulcimer, cellos, basses, keyboards, sampler, vibraphone, programming, all string arrangements.Dave Gahan – vocals, keyboards, Fender Rhodes, harmonica, glockenspiel.Exclusive B-roll footage from the New York acoustic performanceĬredits adapted from the liner notes of Paper Monsters.'A Little Piece' (exclusive New York acoustic performance).

'Hold On' (exclusive New York acoustic performance).

Exclusive B-roll footage from the 'Dirty Sticky Floors' video shoot.

Track listing Īll tracks are written by Dave Gahan and Knox Chandler. He also stated that 'although it doesn't stray too far from the Depeche mould, Gahan does manage to put his own stamp on the songs'. AllMusic reviewer Don Kline called Paper Monsters 'a mix of swampy blues-injected rock, slick urban electronica, and atmospheric balladry' and gave it three out of five stars. Idov criticised Gahan's lyrics stating that his 'vocal can still elevate the dumbest lyric to the level of a cathartic mantra, a skill that comes handy in the absence of Martin Gore'. However, Pitchfork reviewer Michael Idov was less impressed with the album and wrote that its personal subject matter made for a 'faintly embarrassing listen'. Slant Magazine echoed Lawrence's review for BBC Music, calling the album a 'competent solo debut' with 'murky rock grooves and throaty vocals'. She was impressed by Gahan's vocals on the track 'Hidden Houses', which she called 'deliciously devilish and angelic in equal measure' and said that it 'demonstrates a vocal range rarely seen in the Mode back catalogue'. In a review for BBC Music, Kate Lawrence called Paper Monsters 'an assured debut' with 'surprising depth'. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, the album received an average score of 79, based on nine reviews. Paper Monsters received generally positive reviews from music critics.

#Dave gahan paper monsters 2cd professional#

The single continued the album's string of top-40 singles, reaching number 36 in the UK.Ĭritical reception Professional ratings Aggregate scores meaning that two songs were released on the same single. The third and final single was 'Bottle Living' / 'Hold On', a double A-side. The second single, ' I Need You', was a ballad based around a synth and drum arrangement, which reached number 27 in the UK and number five on the US dance chart. Its remixes were also promoted in US dance clubs, and peaked within the top five of the Billboard Hot Dance Music/Club Play chart. ' Dirty Sticky Floors', the lead single from the album, became Gahan's most successful solo release, reaching number 18 on the UK Singles Chart and the top 10 in Germany and Italy. It was not until he began writing music with friend and musician Knox Chandler that he gained the self-confidence he needed to begin to consider working on an album of his own material. Gahan first played with the idea of releasing a solo album after the release of Depeche Mode's Exciter in 2001, but approached the project slowly. In March 2004, Gahan released the live video album Live Monsters, containing footage from his concert on 5 July 2003 at the Olympia in Paris. In North America, the album was released on 3 June 2003. Paper Monsters debuted at number 36 on the UK Albums Chart, while reaching the top 10 in Germany, Sweden and Switzerland. Upon its debut, critical reception was generally mixed while many complimented the album's personal subject matter, others described it as lacking depth. The album was produced by Ken Thomas, known for his work with Icelandic band Sigur Rós.